#8

inspired by eli clare.

“sprout”

he carried me, sack of potatoes
unzipped my blue jeans.

watched my first scene
in michigan, saw the
women bleeding by flashlight
felt the vomit rise and left

he planted the eye in fertile earth
and didn’t stay to watch the roots

watched my second scene
in san francisco
saw the crying, but then
laughter and moan

gardners, didn’t ask if I was okay,
she and dad just
held out their pillow and said
show us what you want to do
and I did, pummeled
until feathers exhaled.

and then it was me,
on my hands and knees
learning to love the bruises
learning to speak

she asked if I knew of abuse
did I realize? could I realize?

and then it was me,
bleeding red for purple
13 sharps because I could
13 because it felt good

she asked,
was it him? has the seedling grown?

#7

based off something my roommate and I have been obsessing over since the queer bonds conference. in short, it’s about the figure of “the child”. like how everything our society does is to protect children, to shelter children from sexuality and perversion. when in actuality this ends up harming the adults. so, in the words of a presenter at that conference: fuck the child!

“the golden child”

little sacred thing
ball of innonence or maybe
just underdeveloped
little
little
little baby infant small
infantile infant
fuck off little innocent
fuck off tiny ruler
tiny tyrant tiny martyr
tiny little
sacred
thing

#6

“Marco”

search
under mushroom caps
through brass keyhole
without map, satellite
finger textured history

find scars
healed points of entry

#5

thinking about physicality, what it means to be present, and bodily possession.

“molecular lover”

there are are pieces
of you on my bedsheets
and mixed with my follicles
this is how it should be
skin telepathy, wired flesh
the body transnational
the body astral

nuclear valentine, where
are your cells dropping now?

#4

I work at a hardware store. Many of my customers are unsure of my sex and a few of them have the nerve to ask. Themes of occupying ambiguous social space.

“Ace”

she said
“are you a girl?”
and I couldn’t bring myself to say
“kind of?”

baffled, she presses on
“but don’t you think gender matters?”
meaning
“don’t you think my gender matters?”
so in that sense, no.

but if she meant,
“you are neglected your sex
it is wilting without my
confirmation,” then
again, no.

or if she meant
“don’t I matter?”
no,

or if she meant
“show me your body,”
no

or if she meant
“your lack of breast
terrifies me,”
then certainly,
certainly no.

I am not your looking glass
I am not your ultrasound, your
daily affirmation, your
magic 8 ball

and she presses on,
“but don’t you think gender matters?”
and I’m unable to decide
between laughter, vomit.

#3

a revision of an older piece. edited to focus on the exploration of perverse narratives, the figure of the exhibitionist/voyeur,  and acceptable vs. unacceptable intimacies.

“She used to flag starfucker”

When I came in
I saw your “asian inspired” decor
your housemate’s photo shrine
to burning man; fiery sculptures,
a pegasus escapes
from a crack in the earth.

When I came in
I saw your crooked front tooth,
the freckles on your chest,
the lion on your back.
I like you best bare-assed
under pink christmas lights.

And the video camera was all set up
I love you, you fucking pervert.
And the needles were ready for my flesh
I love you, you fucking pervert.

You say:

We are going to be famous.

And everyone will know us
by the corked sharps in our skin,
the dappled bruises on our thighs,
the bite marks at our throats.

#2

thinking about queer time, queer kinship, and queered generations. what it means to “pass the torch.” written about someone I’d consider to be a queer ancestor, in some ways.

“Inheritance”

been chasing your electric ghost
since valentines oh-nine
barstooled neighborhood haunts
first seat at the drag show
clasping your torch

hand-me-down heart beating
on
on
on

#1

examining parallels between queer experiences in the US Army and queered experiences of military roleplay. I might be chewing on this for a while, the thought is still pretty tasty.

“About face”

No guts, no glory she said
four star faux general
sharp hair, red lipstick

her officer, well rehearsed,
eventually sucks smoke
slips character then

informs me that although
they never asked, someone told
it was better than afghanistan

no shame, no mercy I said
and I blush, making her laugh
“At ease, soldier.”

The general thuds, bar of soap
in toe of sock, initiation
while the other private bleeds

after high school, I fell in
to christine by the lake,
to christine off to basic

she calls sometimes
lives on base with Toni
watches a screen all day

asks, have you heard from brian?
and I haven’t, but I heard
he’s on a ship, somewhere

pushups and spankings by the dozen
sexy mimicry dangling from my neck
shaped like plastic dog tags.

inspiring the self

glad I finally have an excuse to make a wordpress blog. I like the interface so far.  So many buttons to choose from!

Anyway, the first of two posts (or maybe even 3) that I’ll be making today.

My daily practice will be writing a daily poem (a la ratcliffe). I’ve done this before and had mixed results. But this time it will only be for 4 weeks and I’m trying to make the works similarly themed.

I’ll be basing this off of a poem I wrote last semester:

“tranquility lost but then”
found in the floridian summer puff of your
humid breath against my dithering spine
in the jeopardy of contact in the risk
inherent in this queer security

does our strangeness summon threat
or in some kind of cosmic flip flop
threat conjures our peculiarity
creature from chrysalis

While I wouldn’t call it my best or even my favorite, what was different about this poem was it was written around my big queer theory epiphany.  So where to go from here? I hope to come up with a daily piece that self indulgently allows me to chew on my own thoughts about theory and identity for a few stanzas at a time. I think that’s how I best process theory anyway: in short bits.

Wish me luck!

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